CILAVS
Centre for Iberian and Latin American Visual Studies
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Media Archive

  • CILAVS Newsletter 2015
  • CILAVS Newsletter 2014
  • CILAVS Newsletter 2013
  • CILAVS Newsletter Autumn 2011
  • CILAVS Newsletter Autumn 2010
  • CILAVS Newsletter Autumn 2009
  • CILAVS Newsletter Autumn 2008
  • CILAVS Newsletter Autumn 2007
  • Poster for the inaugural lecture by Professor Jens Andermann
  • Poster for “Anthropology of the Brain Consciousness, Culture and Free Will” by Roger Barta
  • “Textiles, Techne and Power in the Andes” Programme
  • Poster for “Flipping the Page Gazing at Images”
  • Picturing Latin America: rethinking film and photographic archives programme
  • Luso
  • Poster for “Photography and documentary film in the making of modern Brazil“
  • Poster for “Anachronisms? El Escorial and the Christian Reconquest: Preserving Visual Chronicles of Warfare in Early Modern Castile”
  • Politics of representation, or the indigenous filmmaking in Sierra Nevada de Santa Marta, Colombia
  • Utopia (6yh UK-Portuguese Film Festival) Programme
  • Alcazar
  • Poster of Aida Bahr talk
  • Poster of “Learning from Barcelona – Art, Real Estate and the Pre-Olympic City”
  • Brighton
  • Call for papers for “International Conference: Textiles, techne and power in the Andes” 1
  • Call for papers for “International Conference: Textiles, techne and power in the Andes” 2
  • Call for papers for “International Conference: Textiles, techne and power in the Andes” Spanish
  • Revised programme for “Textiles, Techne and Power in the Andes”
  • Poster for “Textiles, Techne and Power in the Andes”
  • Camnitzer
  • “Carmen Martín Gaite 10 years on” Programme
  • “Carmen Martín Gaite 10 years on” Programme, Word file
  • “La representación visual del esclavo urbano en la España imperial y en Nueva España” Programme
  • Poster for “Colossal Youth”
  • John Beverley Video Last Session
  • John Beverley Video Last Session 2
  • Poster for “Thoughts on Films by Pefro Costa”
  • Poster for “Romantic Disorder, Predisciplinarity and the Divisions of Knowledge, 1750–1850”
  • Early digital art in Argentina: re-examining the Victoria and Albert Museum collection, a talk by Melanie Lenz
  • Early digital art in Argentina: re-examining the Victoria and Albert Museum collection, a talk by Melanie Lenz 2
  • Exhibition El Encanto, Freddy Dewe Mathews, Peltz Gallery, 6 April – 4 May
  • Poster for “Memory as Montage: The Visual Archive of the Spanish Civil War”
  • Poster for “Cruel Modernity – Jean Franco”
  • Poster for “Drawn – The new art of making fiction by Esther Gabara”
  • Some images
  • Poster by “Ete Londres – Takuma Kuikuro”
  • ‘The State We’re In – Museums, Narrativity, Identity’ Programme
  • Poster for “Order’s other histories: revisiting South America”
  • Poster for “The truth will be known when the last witness is dead by Peter Osborne”
  • Poster for “Picturing Latin America: rethinking film and photographic archives”
  • Poster for “Poor Little Rich Girl”
  • Poster for “Mujeres y arte acción en America Latina”
  • Poster for “The Role of the Artist in Latin America”
  • Poster for “Desde la torre de filmar, no de marfil by Edgardo Dobry”
  • Poster for “Visualising the South The American Geographical Society and the Map of Hispanic America 1920–1946 by Mike Heffernan”
  • Poster for “Intimate foreign eyes Satire and empathy in the Brazilian slave-art of Debret and Agostini by Marcus Wood”
  • postertest
  • “JOURNEYS OF (SELF)DISCOVERY IN BRAZILIAN CINEMA” Programme
  • Screening of The Portuguese XX Century: The End of the Empire (2002), directed by Joana Pontes followed by editing Masterclass with TV editor Rui Branquinho
  • Scenes of Class Struggle in Portugal programme
  • Wood

Recent Posts

  • The New Public Art: Collectivity and Activism in Mexico since the 1980s, 4 July 2024
  • Sex work, activism, and collaborative cinema: María Galindo and Revolución Puta, 21 June 2024
  • Launch of CILAVS Film Collective / Film Screening, 8 May 2024
  • How to eat a river: curatorial practice, metabolic literacies and cultures of care, 1 May 2024
  • Professor Carmen Fracchia’s Inaugural Lecture “Identity, Colour and Race in Transatlantic-Spain”, 28 February 2024

Recent Comments

  • silvia orts civera on Spanish exiles in the UK: History and Legacies (Nov 12, Instituto Cervantes and CILAVS)
  • Victoria Reina Gil on Gurumbé: Afro-Andalusian Memories (21 May)
  • Simon Maetinez on Spanish exiles in the UK: History and Legacies (Nov 12, Instituto Cervantes and CILAVS)

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Centre for Iberian and Latin American Visual Studies

Co-directors:
Carmen Fracchia - c.fracchia@bbk.ac.uk
Luciana Martins - l.martins@bbk.ac.uk

Birkbeck, University of London
43 Gordon Square
London WC1H 0PD
United Kingdom
Tel: +44 (0)20 7631 6144
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